Environments for sonic ecologies

This source preferred by Tom Davis

Authors: Davis, T. and Rebelo, P.

http://eprints.bournemouth.ac.uk/17233/

http://www.springerlink.com/content/w193l68204354t2n/fulltext.pdf

Pages: 508-516

Publisher: Springer-Verlag

ISBN: 9783540718048

DOI: 10.1007/978-3-540-71805-5_56

This paper outlines a current lack of consideration for the environmental context of Evolutionary Algorithms used for the generation of music. We attempt to readdress this balance by outlining the benefits of developing strong coupling strategies between agent and en- vironment. It goes on to discuss the relationship between artistic process and the viewer and suggests a placement of the viewer and agent in a shared environmental context to facilitate understanding of the artistic process and a feeling of participation in the work. The paper then goes on to outline the installation ‘Excuse Me and how it attempts to achieve a level of Sonic Ecology through the use of a shared environmental context.

This data was imported from DBLP:

Authors: Davis, T. and Rebelo, P.

Editors: Giacobini, M. et al.

http://eprints.bournemouth.ac.uk/17233/

http://www.informatik.uni-trier.de/~ley/db/conf/evoW/evoW2007.html

Journal: EvoWorkshops

Volume: 4448

Pages: 508-516

Publisher: Springer

ISBN: 978-3-540-71804-8

DOI: 10.1007/978-3-540-71805-5_56

The data on this page was last updated at 04:42 on September 22, 2017.