Hyper-twist
Authors: Chang, J., Yang, X. and Zhang, J.J.
Journal: Digital Creativity
Volume: 20
Issue: 1-2
Pages: 47-58
eISSN: 1744-3806
ISSN: 1462-6268
DOI: 10.1080/14626260902867956
Abstract:In this paper, we introduce 'hyper-twist', a distortion technique for the production of abstract artistic forms (see Figure 1). It is developed via exploiting the theoretical feature of deforming an infinite space filled with a hyper-elastic media. Any object placed within this space can change its shape as a result of the distortion of the space. Based on this developed theoretic insight, we have produced a computer program where point sources are used to control the form and extent of distortion. These sources perform a similar function to forces exerting on a soft body. By qualifying them with a distortion tensor, they define the patterns of the resultant distortions. Linking this representation with time, temporal effects can be produced. Our work, incorporating physics into a digital creation, presents a new form of algorithmic art.
Source: Scopus
Hyper-twist
Authors: Chang, J., Yang, X. and Zhang, J.J.
Journal: DIGITAL CREATIVITY
Volume: 20
Issue: 1-2
Pages: 47-58
ISSN: 1462-6268
DOI: 10.1080/14626260902867956
Source: Web of Science (Lite)
Hyper-twist
Authors: Chang, J., Yang, X. and Zhang, J.J.
Journal: Digital Creativity
Volume: 20
Pages: 47-58
ISSN: 1462-6268
DOI: 10.1080/14626260902867956
Abstract:In this paper, we introduce ‘hyper-twist’, a distortion technique for the production of abstract artistic forms (see Figure 1). It is developed via exploiting the theoretical feature of deforming an infinite space filled with a hyper-elastic media. Any object placed within this space can change its shape as a result of the distortion of the space. Based on this developed theoretic insight, we have produced a computer program where point sources are used to control the form and extent of distortion. These sources perform a similar function to forces exerting on a soft body. By qualifying them with a distortion tensor, they define the patterns of the resultant distortions. Linking this representation with time, temporal effects can be produced. Our work, incorporating physics into a digital creation, presents a new form of algorithmic art.
http://www.informaworld.com/10.1080/14626260902867956
Source: Manual
Preferred by: Jian Chang, Jian Jun Zhang and Xiaosong Yang