Towards a relational understanding of the performance ecosystem
Authors: Davis, T.
Journal: Organised Sound
Volume: 16
Issue: 2
Pages: 120-124
eISSN: 1469-8153
ISSN: 1355-7718
DOI: 10.1017/S1355771811000069
Abstract:This article seeks to form a deeper understanding of the performance ecosystem by drawing parallels with Bourriaud's Relational Aesthetics and Guattari's conception of subjectivity as outlined in Chaosmosis. Through an examination of participation within performance, and a recognition of the mutability of the roles of performer, listener, instrument and environment in the creation of the music event, this article examines the place of subjectivity, the capacity for self-creation, in the formation of a group aesthetic. Such a concept places the creation of meaning not within the individual participant but rather within the relationship between participants in a situation, a relationship that recognises the interaction between individuals, societies and institutions in its production. Such a discussion helps further our understanding of the performance ecosystem as a conceptual tool. © 2011 Cambridge University Press.
https://eprints.bournemouth.ac.uk/18253/
Source: Scopus
Towards a Relational Understanding of the Performance Ecosystem
Authors: Davis, T.
Journal: ORGANISED SOUND
Volume: 16
Issue: 2
Pages: 120-124
eISSN: 1469-8153
ISSN: 1355-7718
DOI: 10.1017/S1355771811000069
https://eprints.bournemouth.ac.uk/18253/
Source: Web of Science (Lite)
Towards a Relational Understanding of the Performance Ecosystem
Authors: Davis, T.
Journal: Organised Sound
Volume: 16
Pages: 120-124
ISSN: 1355-7718
DOI: 10.1017/S1355771811000069
Abstract:This article seeks to form a deeper understanding of the performance ecosystem by drawing parallels with Bourriaud's Relational Aesthetics and Guattari's conception of subjectivity as outlined in Chaosmosis. Through an examination of participation within performance, and a recognition of the mutability of the roles of performer, listener, instrument and environment in the creation of the music event, this article examines the place of subjectivity, the capacity for self-creation, in the formation of a group aesthetic. Such a concept places the creation of meaning not within the individual participant but rather within the relationship between participants in a situation, a relationship that recognises the interaction between individuals, societies and institutions in its production. Such a discussion helps further our understanding of the performance ecosystem as a conceptual tool.
https://eprints.bournemouth.ac.uk/18253/
http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8314652
Source: Manual
Preferred by: Tom Davis
Towards a Relational Understanding of the Performance Ecosystem
Authors: Davis, T.
Journal: Organised Sound
Volume: 16
Issue: 2
Pages: 120-124
ISSN: 1355-7718
Abstract:This article seeks to form a deeper understanding of the performance ecosystem by drawing parallels with Bourriaud's Relational Aesthetics and Guattari's conception of subjectivity as outlined in Chaosmosis. Through an examination of participation within performance, and a recognition of the mutability of the roles of performer, listener, instrument and environment in the creation of the music event, this article examines the place of subjectivity, the capacity for self-creation, in the formation of a group aesthetic. Such a concept places the creation of meaning not within the individual participant but rather within the relationship between participants in a situation, a relationship that recognises the interaction between individuals, societies and institutions in its production. Such a discussion helps further our understanding of the performance ecosystem as a conceptual tool.
https://eprints.bournemouth.ac.uk/18253/
http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8314652
Source: BURO EPrints