Anna Troisi

Dr Anna Troisi

  • 01202 965127
  • atroisi at bournemouth dot ac dot uk
  • Senior Lecturer (Academic) in Digital Media Design
  • Weymouth House W211, Talbot Campus, Fern Barrow, Poole, BH12 5BB
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Biography

Anna Troisi is Lecturer in Digital Media Design and member of Emerge - Experimental Media Research Group. She is also an artist, experimental electronic musician, improviser, composer, instruments builder and programmer for performance.

She joined Bournemouth University in 2013 and has a background in computer science (MA Computer Science, University of Bologna 2003). In 2009 she achieved a PHD in Nanotechnology, University of Salento where she worked on proteins clustering algorithms. She had a postdoc position as research assistant at ICCMR Interdisciplinary Centre for Computer Music Research, (University of Plymouth 2009-2010) completing a fruitful postdoctoral position with publications (ICMC International Computer Music Conference 2011, Mit Press Journal, Leonardo 2013) and performances (Lepton Photon Conference, SLAC National Accelerator Laboratory - San Francisco 2013, Columbia University - New York City 2011).

In 2013 she worked as research associate in multimedia programming for an AHRC-funded project directed by Professor Simon Goldhill (CRASSH), University of Cambridge...

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Favourites

Journal Articles

  • Troisi, A., 2018. OB-scene, a live audio/visual performance for photoplethysmograph and female body. Organised Sound.
  • Troisi, A., 2015. Teaching Computer Music to Academically Engage At-Risk Students. The International Journal of Arts Education, 10 (4), 25-36.
  • Troisi, A., Kirke, A., Miranda, E., Chiaramonte, A., Matthias, J., Fry, N., McCabe, C., Radtke, J. and Bull, M., 2013. Cloud Chamber: A Performance with Real Time Two-Way Interaction between Subatomic Particles and Violinist. Leonardo Music Journal (LMJ), 46 (1), 84-85.
  • Troisi, A., Aloisio, G., Rossi, I., Fariselli, P. and Casadio, R., 2008. The Rainbow Prim Algorithm for Selecting Putative Orthologous Protein Sequences. The open bioinformatics journal, 2, 60-63.

Conferences

  • Troisi, A., 2016. Synthetic Emotions. In: Future Fest by Nesta 16-17 September 2016 Tobacco Dock, London.
  • Troisi, A., 2016. OB-scene, and audio/video performance for photoplethysmograph and female body. In: DRHA 2016: Digital Research in the Humanities and Arts 3-6 September 2016 University of Brighton.
  • Troisi, A., 2016. Xenofeminism, gender fluidity and cyber art​. In: Transmediale/Conversation piece 3-7 February 2016 Haus der Kulturen der Welt, Berlin.
  • Troisi, A., 2016. Practice as "Search" towards a different form of knowledge. In: Intersections 2016: Practice (...) Research 14-15 January 2016 The Royal Central School of Speech and Drama.
  • Troisi, A. and Chiaramonte, A., 2014. Sounding sculptures for the augmentation of musical experience in live electroacoustic music. In: Conference on Interdisciplinary Musicology – CIM14 4-6 December 2014 National Institute for Music Research, Berlin, Germany.
  • Troisi, A., P-S. Ng, J., Gregg, S. and Chiaramonte, A., 2013. “Talk to me”, a digital art web installation. In: 10th International Symposium on Computer Music Multidisciplinary Research (CMMR) 15-18 October 2013 Marseille (Fr). Marseille: Publications of L.M.A., 1025-1028.
  • Troisi, A., Miranda, E., Slawomir, J.N., Chiaramonte, A., Spencer, M., Hammond, M., Xydas, D., Whalley, B., Becerra, V. and Warwick, K., 2011. A musical instrument using in vitro neural networks. In: The Michigan Library, ed. International Computer Music Conference 2011 31 July-5 August 2011 Huddersfield. The Michigan Library, 567-570.
  • Kirke, A., Miranda, E., Chiaramonte, A., Troisi, A., Mathias, J., Radtke, J., Fry, N., McCabe, C. and Bull, M., 2011. Cloud chamber: a performance involving real time two-way interaction between subatomic radioactive particles and violinist. In: University of Michigan Library, ed. International Computer Music Conference 31 July-5 August 2011 Huddersfield. Huddersfield: Michigan Publishing, 151-154.

Internet Publications

Exhibitions

  • Troisi, A., Ng, J., Gregg, S. and Chiaramonte, A.. Talk to me. 10 th International Symposium on Computer Music Multidisciplinary Research. Laboratoire de Mécanique et d'Acoustique Marseille, France. 15-18 October 2013.
  • Troisi, A., Ng, J., Gregg, S. and Chiaramonte, A.. "Talk to me". International Electroacusti Music Festival (Emu) 2013. Conservatoire of Rome. 20-29 October 2013.
  • Troisi, A., Chiaramonte, A., Ng, J. and Gregg, S.. “Talk to me”, a digital art web installation.. Web. Di-stanze, Community Festival of Sound aArt. LIVE STREAMING. 15-31 December 2014.
  • Troisi, A.. Keen-skin, an installation based on haptic sensation and neurological data. DHRA DIgital Research in the Humanities and Arts. Dublin City University. 1-3 September 2015.

Performances

  • Troisi, A.. Nebbia alla valle, (for sound sculptures, theremin, trumpet, bass clarinet and live electronics). Peninsula Arts Contemporary Music Festival, University of Plymouth (UK). 2010.
  • Troisi, A.. Nebbia alla valle, (for sound sculptures, theremin, trumpet, bass clarinet and live electronics). 46th Nuova Consonanza Festival - Roma. 2009.
  • Troisi, A. and Chiaramonte, A.. ..::Electroshop::..ensemble performance [Antonino Chiaramonte, Live electronics and Live Video processing; Anna Troisi, Live electronics; Gaia Mattiuzzi, Voice; Francesco Cusa, Drums; Alberto Popolla, bass clarinet]. Issue Project Room, New York City, (USA). 2011.
  • Troisi, A.. Intimate Acquaintance. EME Festival 2008, Teatro Iberico, Lisboa. 1 October 2008.
  • Troisi, A. and Pierotti, A.. Aque. Music and Digital Art Festival (MUV), Pescaia di Santa Rosa / Firenze. 6 May 2006.
  • Troisi, A.. Naked Musicians ensemble performance conduct by Elliot Sharp. Brecht forum, New York City (USA). 2011.
  • Troisi, A.. Naked Musicians ensemble. Teatro of the Italian Academy, Columbia University, New York City (USA). 2011.
  • Troisi, A. and Chiaramonte, A.. Etheric Bodies by Antonino Chiaramonte. Emufest 2010 - Sala Accademica del Conservatorio di S. Cecilia, Roma.
  • Troisi, A., Chiaramonte, A., Distante, G., Miranda, E.R., Paci Dalo', R. and Saldicco, C.. ..::Electroshop::..ensemble (music by A.Chiaramonte, G.Distante, E.R.Miranda, R.Paci Dalo’, C.Saldicco, A.Troisi). Peninsula Arts Contemporary Music Festival, University of Plymouth (UK). 2010.
  • Troisi, A., Chiaramonte, A., Distante, G., Miranda, E.R., Paci Dalo', R. and Saldicco, C.. Electroshop (music by A.Chiaramonte, G.Distante, E.R.Miranda, R.Paci Dalo’, C.Saldicco, A.Troisi). 46th Nuova Consonanza Festival - Roma. 2010.
  • Troisi, A. and Minton, P.. Phil Minton Fheral Choir. Angelica International Contemporary Music Festival, Bologna.
  • Troisi, A. and Wright, J.. “Spring Garden Music” directed by Jack Wright. No net Festival Highwire gallery, Philadelphia (US). 17 July 2004.
  • Davis, T., Troisi, A., Seddon, A., Canning, R., Thompson, B., Chiaramonte, A. and Borgo, D.. NonRecursive @ Symposium on Interagency in Technologically-Mediated Performance. Performance. Bournemouth University. 29 January 2016.
  • Davis, T., Troisi, A., Seddon, A., Thompson, B., Canning, R. and Chiaramonte, A.. NonRecursive. Performance. Bournemouth Emerging Arts Fringe: The Engine Room. 15 October 2015.
  • Troisi, A.. OB-scene, a live audio/visual performance for photoplethysmograph and female body. Brunel University London - Artaud Performance Centre. 7-9 April 2016.
  • Troisi, A.. OB-scene, and audio/video performance for photoplethysmograph and female body.. DRHA 2016: Digital Research in the Humanities and Arts. 3-6 September 2016.
  • Troisi, A.. OB-scene, and audio/video performance for photoplethysmograph and female body. performance. CFP The Politics of Performance and Play. Feminist Matters, Institute for Philosophy, Leiden University, Leiden, the Netherlands. 7-8 July 2016.
  • Troisi, A., Davis, T., Amelidis, P. and Seddon, A.. nonRecursive. Bournemouth Emerging Arts Fringe: The Engine Room, The Old Fire Station. 1 May 2018.
  • Troisi, A.. OB-scene, and audio/video performance for photoplethysmograph and female body.. Royal College of Art, London. 3 June 2017.
  • Troisi, A.. OB-scene, a live audio/visual performance for photoplethysmograph and female body. audio/visual performance/installation. Royal College of Art, London. 3 June 2017.

Compositions

Artefacts

Posters

PhD Students

  • Philip Shakeshaft. PhD, Radio drama and new generation awareness, Part time
  • Ifigeneia Mavridou. EngD, acquisition of emotions and study the benefits of affective Human Computer Interaction, in the area of Virtual Reality and Neurogaming. Full time
  • Malte Lahrmann. MPhil, Crowdfunded music; the interaction between product, production process and the shifting music industry.
  • Hrehovcsik Micah

Profile of Teaching UG

  • Networked Media I (BAMP/C), Story and Spaces (BAMP/I), Developing Arguments (BADMD/C), Debates and Scholarship (BADMD/I), Design Iteration (BADMD/I), Developing Digital Design Concept (BADMD/H)

Grants

  • Sensing the Meta-Landscape (AHRC Development Grants, 01 May 2015). Completed

External Responsibilities

  • 11th edition of the CMMR conference (Computer Music Multidisciplinary Research), Commettee of CMMR 2015 (2015-)
  • The International Journal of Interdisciplinary Cultural Studies, Associate Editor for the Volume 11 (2015-), http://ijicst.cgpublisher.com/
  • The 9th Conference on Interdisciplinary Musicology CIM14, 4-6 December 2014, at Staatliches Institut für Musikforschung (National Institute for Music Research), in Berlin, member of the Program Committee (2014-), http://www.sim.spk-berlin.de/cim14

Internal Responsibilities

  • Head, Experimental Media Research Group. <a href="https://research.bournemouth.ac.uk/centre/emerge/" class="iconRight" target="blank">https://research.bournemouth.ac.uk/centre/emerge/<i class="fa fa-external-link"></i></a>

Public Engagement & Outreach Activities

  • The Big BEAF Celebration Party, Shelley Theatre, Bournemouth
  • Contributor with the project NonRecursive together with other members of Emerge (experimental media research group).
  • Contributor as performer with NonRecursive.

Consultancy Activities

  • ENVISIONING A NEW ENTREPRENEURIAL EXPERIENCE MAST FOUNDATION, Workshop. MAST, MANIFATTURA di ARTI, SPERIMENTAZIONE e TECNOLOGIA (ARTS, EXPERIENCE and TECHNOLOGY).

Qualifications

  • PhD in Bioinformatics (University of Salento, 2008)
  • PGCert in Postgraduate Certificate in Education (Bournemouth University, 2016)
  • MSc in Computer Science (Laurea equivalent to 5y Master) (University Alma Mater Bologna (Italy), 2004)

Memberships

The data on this page was last updated at 04:09 on August 17, 2018.