Artists' earnings and copyright: A review of British and German music industry data in the context of digital technologies
Authors: Kretschmer, M.
Journal: First Monday
Volume: 10
Issue: 1
eISSN: 1396-0458
ISSN: 1396-0466
DOI: 10.5210/fm.v10i1.1200
Abstract:Digital technologies are often said (1) to enable a qualitatively new engagement with already existing cultural materials (for example through sampling and adaptation); and, (2) to offer a new disintermediated distribution channel to the creator. A review of secondary data on music artists' earnings and eight in-depth interviews conducted in 2003-04 in Britain and Germany indicate that both ambitions have remained largely unfulfilled. The article discusses to what extent the structure of copyright law is to blame, and sets out a research agenda.
https://eprints.bournemouth.ac.uk/3704/
Source: Scopus
Artists' earnings and copyright: a review of British and German music industry data in the context of digital technologies
Authors: Kretschmer, M.
Journal: First Monday
Volume: 10
Pages: 1-14
ISSN: 1396-0466
Abstract:Digital technologies are often said (1) to enable a qualitatively new engagement with already existing cultural materials (for example through sampling and adaptation), and (2) to offer a new disintermediated distribution channel to the creator. From a review of secondary data on music artists’ earnings and seven in-depth interviews, it appears that both ambitions have remained, until now, largely unfulfilled. The paper discusses to what extent the structure of copyright law is to blame, and sets out a research agenda.
https://eprints.bournemouth.ac.uk/3704/
http://firstmonday.org/issues/issue10_1/kretschmer/index.html
Source: Manual
Artists' earnings and copyright: A review of British and German music industry data in the context of digital technologies.
Authors: Kretschmer, M.
Journal: First Monday
Volume: 10
https://eprints.bournemouth.ac.uk/3704/
Source: DBLP
Artists' earnings and copyright: a review of British and German music industry data in the context of digital technologies
Authors: Kretschmer, M.
Journal: First Monday
Volume: 10
Issue: 1
Pages: 1-14
ISSN: 1396-0466
Abstract:Digital technologies are often said (1) to enable a qualitatively new engagement with already existing cultural materials (for example through sampling and adaptation), and (2) to offer a new disintermediated distribution channel to the creator. From a review of secondary data on music artists’ earnings and seven in-depth interviews, it appears that both ambitions have remained, until now, largely unfulfilled. The paper discusses to what extent the structure of copyright law is to blame, and sets out a research agenda.
https://eprints.bournemouth.ac.uk/3704/
http://firstmonday.org/issues/issue10_1/kretschmer/index.html
Source: BURO EPrints