Category choice in creative writing
Authors: Nordberg, D.
Journal: New Writing
Volume: 18
Issue: 3
Pages: 330-345
ISSN: 1479-0726
DOI: 10.1080/14790726.2020.1855200
Abstract:Would-be writers of fiction face choices as soon as they start thinking about how to get published: What sort of a work is this? Where will the book sit on the shelf? What does the publisher tell the reader about what to expect? And then, where does it sit in company of other works, and where do you sit in the company of other writers? This paper examines three such questions of category choice: plot versus character, genre versus literary, psychology versus philosophy. It asks how do writers–and audiences–make sense of a work of fiction, and with what implications for the process of writing? It suggests how writers might use the differences between them to enhance the experience of reading beyond the expectations set by the categories to which the works have been placed.
https://eprints.bournemouth.ac.uk/34858/
Source: Scopus
Category choice in creative writing
Authors: Nordberg, D.
Journal: NEW WRITING-THE INTERNATIONAL JOURNAL FOR THE PRACTICE AND THEORY OF CREATIVE WRITING
Volume: 18
Issue: 3
Pages: 330-345
eISSN: 1943-3107
ISSN: 1479-0726
DOI: 10.1080/14790726.2020.1855200
https://eprints.bournemouth.ac.uk/34858/
Source: Web of Science (Lite)
Category choice in creative writing
Authors: Nordberg, D.
Journal: New Writing: the international journal for the practice and theory of creative writing
Publisher: Taylor & Francis
ISSN: 1479-0726
DOI: 10.1080/14790726.2020.1855200
Abstract:Would-be writers of fiction face choices as soon as they start thinking about how to get published: What sort of a work is this? Where will the book sit on the shelf? What does the publisher tell the reader about what to expect? And then, where does it sit in company of other works, and where do you sit in the company of other writers? This paper examines three such questions of category choice: plot versus character, genre versus literary, psychology versus philosophy. It asks how do writers – and audiences – make sense of a work of fiction, and with what implications for the process of writing? It suggests how writers might use the differences between them to enhance the experience of reading beyond the expectations set by the categories to which the works have been placed.
https://eprints.bournemouth.ac.uk/34858/
Source: Manual
Category choice in creative writing.
Authors: Nordberg, D.
Journal: New Writing
Volume: 18
Issue: 3
Pages: 330-345
ISSN: 1479-0726
Abstract:Would-be writers of fiction face choices as soon as they start thinking about how to get published: What sort of a work is this? Where will the book sit on the shelf? What does the publisher tell the reader about what to expect? And then, where does it sit in company of other works, and where do you sit in the company of other writers? This paper examines three such questions of category choice: plot versus character, genre versus literary, psychology versus philosophy. It asks how do writers – and audiences – make sense of a work of fiction, and with what implications for the process of writing? It suggests how writers might use the differences between them to enhance the experience of reading beyond the expectations set by the categories to which the works have been placed.
https://eprints.bournemouth.ac.uk/34858/
Source: BURO EPrints