Kicking the hornet's nest: The rhetoric of social campaigning in Stieg Larsson's Millennium trilogy
Authors: Thomas, B.
Journal: Language and Literature
Volume: 21
Issue: 3
Pages: 299-310
eISSN: 1461-7293
ISSN: 0963-9470
DOI: 10.1177/0963947012444224
Abstract:Stieg Larsson's Millennium trilogy has attracted huge audiences all over the world. Interest in the trilogy has been fuelled by revelations about the life and death of the author, and by clever publicity campaigns for both the books and the film adaptations, but little attention has been paid so far to the language and style of the novels. This article will focus on Larsson's attempt to incorporate social campaigning and politics into the crime genre, and the extent to which he is able to combine rhetorical attacks on the injustices of contemporary Swedish society with a gripping plot. The article will offer a close analysis of the stylistic 'gear shifts' in the novels (Page, 1973), along with an examination of the various types of paratextual matter (Genette, 1997 [1987]) they incorporate. In addition, I will explore how far Larsson's writing participates in the reworking of definitions of criminality and deviance within the genre (Gregoriou, 2007). Finally, the article will consider how far the film adaptations dilute Larsson's social and political agenda, and tone down or glamorise the sexual violence which is such a feature of the novels. © 2012 The Author(s).
Source: Scopus
Kicking the hornet's nest: The rhetoric of social campaigning in Stieg Larsson's Millennium trilogy
Authors: Thomas, B.
Journal: LANGUAGE AND LITERATURE
Volume: 21
Issue: 3
Pages: 299-310
ISSN: 0963-9470
DOI: 10.1177/0963947012444224
Source: Web of Science (Lite)
Kicking the Hornet's Nest: the rhetoric of social campaigning in Stieg Larsson's Millennium trilogy
Authors: Thomas, B.
Journal: Language and literature
ISSN: 0963-9470
Abstract:This article contributes to a special issue of Language and Literature on Contemporary Crime Fiction which features some of the leading writers on the language of crime fiction. It draws on the author's existing research on speech and dialogue in crime fiction (presented at conferences and published as a chapter in the book Fictional Dialogue), and explores the work of one of the most successful and high profile crime authors of recent years.
Source: Manual
Preferred by: Bronwen Thomas