Remediated Sites The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage
Authors: Gingrich, O. and Callus, P.
Journal: Leonardo
Volume: 55
Issue: 5
Pages: 475-481
ISSN: 0024-094X
DOI: 10.1162/leon_a_02251
Abstract:During the COVID-19 pandemic, new spaces for archives, creative representation, and display created novel ways of accessing, experiencing, and cataloging media art. Leonardo’s Lumen Prize 2020 exhibition offers a third space between virtual exhibition as a site of memory and an archive of knowledge and artistic production—a place of digital assemblage. Bolter and Grusin’s remediation theory sheds light on the many visual strategies employed by the artists and designers of The Lumen Prize 2020 exhibition. The authors discuss pertinent questions of immediacy and hypermediacy, coexperience, and accessibility in generating this site of memory.
https://eprints.bournemouth.ac.uk/37718/
Source: Scopus
Remediated Sites <i>The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage</i>
Authors: Gingrich, O. and Callus, P.
Journal: LEONARDO
Volume: 55
Issue: 5
Pages: 475-481
eISSN: 1530-9282
ISSN: 0024-094X
DOI: 10.1162/leon_a_02251
https://eprints.bournemouth.ac.uk/37718/
Source: Web of Science (Lite)
Remediated Sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage
Authors: Callus, P. and Gingrich, O.
Journal: Leonardo: Art Science and Technology
Volume: 55
Issue: 5
Publisher: MIT Press
ISSN: 0024-094X
https://eprints.bournemouth.ac.uk/37718/
Source: Manual
Remediated Sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage
Authors: Callus, P. and Gingrich, O.
Journal: Leonardo: Art Science and Technology
Volume: 55
Issue: 5
Pages: 475-481
Publisher: MIT Press
ISSN: 0024-094X
Abstract:During the COVID-19 pandemic, new spaces for archives, creative representation, and display created novel ways of accessing, experiencing, and cataloging media art. Leonardo’s Lumen Prize 2020 exhibition offers a third space between virtual exhibition as a site of memory and an archive of knowledge and artistic production—a place of digital assemblage. Bolter and Grusin’s remediation theory sheds light on the many visual strategies employed by the artists and designers of The Lumen Prize 2020 exhibition. The authors discuss pertinent questions of immediacy and hypermediacy coexperience, and accessibility in generating this site of memory.
https://eprints.bournemouth.ac.uk/37718/
Source: BURO EPrints