Remediated Sites The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage

Authors: Gingrich, O. and Callus, P.

Journal: Leonardo

Volume: 55

Issue: 5

Pages: 475-481

ISSN: 0024-094X

DOI: 10.1162/leon_a_02251

Abstract:

During the COVID-19 pandemic, new spaces for archives, creative representation, and display created novel ways of accessing, experiencing, and cataloging media art. Leonardo’s Lumen Prize 2020 exhibition offers a third space between virtual exhibition as a site of memory and an archive of knowledge and artistic production—a place of digital assemblage. Bolter and Grusin’s remediation theory sheds light on the many visual strategies employed by the artists and designers of The Lumen Prize 2020 exhibition. The authors discuss pertinent questions of immediacy and hypermediacy, coexperience, and accessibility in generating this site of memory.

https://eprints.bournemouth.ac.uk/37718/

Source: Scopus

Remediated Sites <i>The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage</i>

Authors: Gingrich, O. and Callus, P.

Journal: LEONARDO

Volume: 55

Issue: 5

Pages: 475-481

eISSN: 1530-9282

ISSN: 0024-094X

DOI: 10.1162/leon_a_02251

https://eprints.bournemouth.ac.uk/37718/

Source: Web of Science (Lite)

Remediated Sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage

Authors: Callus, P. and Gingrich, O.

Journal: Leonardo: Art Science and Technology

Volume: 55

Issue: 5

Publisher: MIT Press

ISSN: 0024-094X

https://eprints.bournemouth.ac.uk/37718/

Source: Manual

Remediated Sites: Lumen Prize Virtual Gallery as site of memory and digital assemblage

Authors: Callus, P. and Gingrich, O.

Journal: Leonardo: Art Science and Technology

Volume: 55

Issue: 5

Pages: 475-481

Publisher: MIT Press

ISSN: 0024-094X

Abstract:

During the COVID-19 pandemic, new spaces for archives, creative representation, and display created novel ways of accessing, experiencing, and cataloging media art. Leonardo’s Lumen Prize 2020 exhibition offers a third space between virtual exhibition as a site of memory and an archive of knowledge and artistic production—a place of digital assemblage. Bolter and Grusin’s remediation theory sheds light on the many visual strategies employed by the artists and designers of The Lumen Prize 2020 exhibition. The authors discuss pertinent questions of immediacy and hypermediacy coexperience, and accessibility in generating this site of memory.

https://eprints.bournemouth.ac.uk/37718/

Source: BURO EPrints