Civil Service Rules: (Post)Colonial Memoir and the Raj Revival, 1970–1985
Authors: Goodman, S.
Journal: Literature and History
Volume: 33
Issue: 1
Pages: 16-36
eISSN: 2050-4594
ISSN: 0306-1973
DOI: 10.1177/03061973241247502
Abstract:In the 1970s, the India Office Archive within the British Library began inviting the last generation of the Indian Civil Service and Indian Political Service to commit their experiences to written record. Running until the mid-1980s and eventually producing 135 manuscript memoirs, this archive offers a unique insight into the end of the British Empire, as seen a generation hence. This article argues that these memoirs, generated in a time of crisis and fracture within British national identity, are not only vital historical sources but are a significant body of creative work within the context of acute cultural production of narratives of Empire known as the ‘Raj Revival’. Moreover, in their acknowledgement, inclusion and direct dialogue with colonial fictions from Kipling to Forster, as well as their own aesthetic form, these memoirs are part of the long tendency towards the blurring of the boundaries between fiction and life writing within the historical publishing cultures of British India.
https://eprints.bournemouth.ac.uk/39118/
Source: Scopus
Civil Service Rules: (Post)Colonial Memoir and the Raj Revival, 1970-1985
Authors: Goodman, S.
Journal: Literature and History
Publisher: SAGE
ISSN: 0306-1973
https://eprints.bournemouth.ac.uk/39118/
Source: Manual
Civil Service Rules: (Post)Colonial Memoir and the Raj Revival, 1970-1985
Authors: Goodman, S.
Journal: Literature and History
Volume: 33
Issue: 1
Pages: 16-36
Publisher: SAGE
ISSN: 0306-1973
Abstract:In the 1970s, the India Office Archive within the British Library began inviting the last generation of the Indian Civil Service and Indian Political Service to commit their experiences to written record. Running until the mid-1980s and eventually producing 135 manuscript memoirs, this archive offers a unique insight into the end of the British Empire, as seen a generation hence. This article argues that these memoirs, generated in a time of crisis and fracture within British national identity, are not only vital historical sources but are a significant body of creative work within the context of acute cultural production of narratives of Empire known as the ‘Raj Revival’. Moreover, in their acknowledgement, inclusion and direct dialogue with colonial fictions from Kipling to Forster, as well as their own aesthetic form, these memoirs are part of the long tendency towards the blurring of the boundaries between fiction and life writing within the historical publishing cultures of British India.
https://eprints.bournemouth.ac.uk/39118/
Source: BURO EPrints