Civil Service Rules: (Post)Colonial Memoir and the Raj Revival, 1970–1985

Authors: Goodman, S.

Journal: Literature and History

Volume: 33

Issue: 1

Pages: 16-36

eISSN: 2050-4594

ISSN: 0306-1973

DOI: 10.1177/03061973241247502

Abstract:

In the 1970s, the India Office Archive within the British Library began inviting the last generation of the Indian Civil Service and Indian Political Service to commit their experiences to written record. Running until the mid-1980s and eventually producing 135 manuscript memoirs, this archive offers a unique insight into the end of the British Empire, as seen a generation hence. This article argues that these memoirs, generated in a time of crisis and fracture within British national identity, are not only vital historical sources but are a significant body of creative work within the context of acute cultural production of narratives of Empire known as the ‘Raj Revival’. Moreover, in their acknowledgement, inclusion and direct dialogue with colonial fictions from Kipling to Forster, as well as their own aesthetic form, these memoirs are part of the long tendency towards the blurring of the boundaries between fiction and life writing within the historical publishing cultures of British India.

https://eprints.bournemouth.ac.uk/39118/

Source: Scopus

Civil Service Rules: (Post)Colonial Memoir and the Raj Revival, 1970-1985

Authors: Goodman, S.

Journal: Literature and History

Publisher: SAGE

ISSN: 0306-1973

https://eprints.bournemouth.ac.uk/39118/

Source: Manual

Civil Service Rules: (Post)Colonial Memoir and the Raj Revival, 1970-1985

Authors: Goodman, S.

Journal: Literature and History

Volume: 33

Issue: 1

Pages: 16-36

Publisher: SAGE

ISSN: 0306-1973

Abstract:

In the 1970s, the India Office Archive within the British Library began inviting the last generation of the Indian Civil Service and Indian Political Service to commit their experiences to written record. Running until the mid-1980s and eventually producing 135 manuscript memoirs, this archive offers a unique insight into the end of the British Empire, as seen a generation hence. This article argues that these memoirs, generated in a time of crisis and fracture within British national identity, are not only vital historical sources but are a significant body of creative work within the context of acute cultural production of narratives of Empire known as the ‘Raj Revival’. Moreover, in their acknowledgement, inclusion and direct dialogue with colonial fictions from Kipling to Forster, as well as their own aesthetic form, these memoirs are part of the long tendency towards the blurring of the boundaries between fiction and life writing within the historical publishing cultures of British India.

https://eprints.bournemouth.ac.uk/39118/

Source: BURO EPrints