Dr Maxine Gee
- 01202 965712
- mgee at bournemouth dot ac dot uk
- Senior Lecturer In Screenwriting
- Weymouth House W213, Talbot Campus, Fern Barrow, Poole, BH12 5BB
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Maxine is an internationally produced playwright, whose stage adaptation of Sherlock Holmes and the Speckled Band has been performed in both York, England and Sydney Australia. As a screenwriter, her work includes the medieval webseries Tales of Bacon and science fiction short films Terminal, developed from her PhD practice screenplay and Standing Woman, adapted from a short story by acclaimed Japanese author Yasutaka Tsutsui. Her screenplays have also placed in a variety of international screenwriting competitions.
Maxine completed her PhD by Creative Practice in Screenwriting, titled 'Posthuman Noir: Creating Positive Posthumans in 2017. Her research interests include posthumanism, science fiction film and television, film noir, Japanese anime, adaptation screenwriting, playwriting and the webseries.
- Gee, M., 2017. Comics Inside Out: An Interview with Elena Vitagliano. East Asian Journal of Popular Culture, 3 (1).
- Gee, M., 2016. “Rediscovering our Humanity - How the posthuman noir anime, Darker Than Black, subverts the tropes of film noir to reaffirm a humanist agenda.”. Cinema: Journal of Film and Philosophy, 7, 131-148.
- Gee, M., 2015. It’s Alive: An Introduction to Writing for the Screen. FOCUS, British Science Fiction Association Magazine for Writers, 18-26.
- Gee, M., 2018. Posthuman Noir: Creating Positive Posthumans. PhD Thesis. University of York, Department of Theatre, Film and Television.
- Gee, M.. Sherlock Holmes and the Speckled Band. Stage play. Genesian Theatre, Sydney, Australia. 7 April-12 May 2018.
- Gee, M.. Kagome, Kagome. Theatre production. Krumbs Kitchen, York. 1-4 January 2016.
- Gee, M.. Sherlock Holmes and the Speckled Band. Site specific stage play. Treasurer's House, York and Ripley Castle, North Yorkshire. 14-29 November 2013.
Profile of Teaching UG
- Film Story Structures - BA Film
- Production Design - BA Film
- Principles of Storytelling - BA Film
- Scriptwriting Fundamentals - BA Media Production
- Major Project - BA Scriptwriting for Film and Television
Cracking the Posthuman Program, Leeds Art Gallery, 09 Jan 2016 more
Art Science Fiction was a day of lectures given by creative practitioners around the topic of art and science fiction organised by British Art Show 8, Leeds Beckett University and Leeds Art Gallery. My lecture titled, Cracking the Posthuman Program: Rediscovering Humanity through ‘Art,’ explored my PhD screenplay Hydrangea, posthuman noir and my research from the 2015 Japanese Society for the Promotion of Science Summer Fellowship.
- An Investigation into Japanese Screenwriting Methods (Japanese Society for the Promotion of Science, 09 Jun 2015). Completed
Public Engagement & Outreach Activities
- Robot or Human? You decide. Imagine a future where robots and humans looked identical; how would you know which is which? In this interactive theatre piece members of the public were tasked with selecting from a set of questions to pose to 2 actors to decide which was human and which was a robots. The piece explored how media bias and assumptions about human emotion sway people's decisions when thinking about robots, and demonstrated how narrow the parameters of 'human' are in mainstream film and television. Festival of Learning 2018, Bournemouth University.
- Writing for Cinema; Writing for Tv: 11th International Conference of the Screenwriting Research Network (SRN), Cyborg Screenwriters and Posthuman Screenplays, 13 Sep 2018, UNIVERSITÀ CATTOLICA DEL SACRO CUORE, Milan
- Imagining the History of the Future: Unsettling Scientific Stories, Lure of the Past: The Influence of Twentieth Century Science Fiction on my Creative Practice Film Terminal., 27 Mar 2018, University of York
- Artificial Lives: Imagining Life, Enhancing Life, Engineering Life, Robots Do Not Have Feelings, or Do They? Exploring Emotional Awakening through Creative Practice, 01 Dec 2017, University of Sussex
- Hardboiled History: A Noir Lens on America's Past, Not so Damned Dames: How Posthuman Noir subverts traditional film noir tropes in Ex_Machina, 19 May 2017, University of Warwick
- BAFTSS Conference, Creating Posthuman Noir: Exploring Definers of the ‘Human’ Through Genre and Creative Practice., 20 Apr 2017, University of Bristol
- Current Research in Speculative Fiction Conference, "If something stinks put a lid on it, don’t see it": Self-censorship and the brave new world of Psycho Pass., 27 Jun 2016, University of Liverpool
- Screenwriting Research Network Conference, Contemporary Japanese Screenwriting: Reflections on interviews conducted under the JSPS summer research fellowship., 10 Sep 2015, Senate House, University of London
- Current Research in Speculative Fiction Conference, Redrawing what it is to be Human: How posthuman characters rediscover their humanity through unreliability in Tensai Okamura’s Darker Than Black., 20 Jun 2014, Gateway Conference Centre, Liverpool (organised by University of Liverpool)
- Postgraduate Symposium, Department of Theatre, Film and Television - Exploring Conceptual and Creative Practices in Theatre, Film and Television, The Creative Process in Adaptation: Investigating Ian Watson’s unproduced A.I: Artificial Intelligence scenes., 02 Jun 2014, University of York
- PhD in Creative Practice in Screenwriting (University of York, 2018)
- Best Short Film - Terminal (Starburst International Film Festival, 2019)
- April Edition Gold for Best Short Sci-Fi Film, Best Writer - Terminal (Queen Palm International Film Festival, 2019)
- Leader of the Screenwriting Research Network Practice Based/Led Working Group from 2018 to Present day - This group is a place for members who are involved in practice based/led research around the screenplay to share experience, methodology and approaches. As academic forums develop for creative practice films, the screenplay, continues to be rarely published or seen; it occupies a liminal status somewhere between screen studies and creative writing studies.